Actualité
Médias
Années
Médias
- 2020
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5 décembre
Chronique radio
France Musique
Philippe Cassard Portraits de famille
Le double album Liszt est parmi les « coups de cœurs discographiques » -
18 novembre
Critique CD
Musical Life Magazine (Russie - Membre ICMA)
2 CD LISZT Between Light & Darkness
Maria Zalesskaya
« Vincent Larderet est considéré comme l'un des pianistes les plus éminents de notre temps. [...] Le concept même du programme issu des œuvres de Franz Liszt nous convainc que Larderet est […] un penseur et un philosophe profond. » -
5 novembre
Critique CD
Radio România Muzical (membre des ICMA)
Arpegio présenté par Marina Nedelcu
Double CD LISZT Between Light & Darkness -
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28 octobre
Critique CD
MusicWeb International (UK)
2 CD LISZT Between Light & Darkness
Stephen Greenbank
"Larderet surfs the drama with passion and intensity, investing the piece with subtle poetic insights in the more lyrical sections." -
Octobre
Critique
Klassieke Zaken Magazine N°5 - Oct. 2020 (Pays-Bas)
1ère critique du double CD LISZT Between Light & Darkness
"Vincent Larderet se révèle être un vrai Maître" -
20 Septembre
Radio
France Musique (France)
Le CD SCHMITT est diffusé lors de l'émission Arabesques consacrée au compositeur -
May
Communiqué de presse (CDP)
2 CD LISZT Between Light & Darkness
A l'usage des professionels de la presse & journalistes (version ENG)
©Mary McNeill - Resonance - 2019
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2 juillet
Critique
Theater Jones (USA)
"Appropriate to the arrival, just a few hours after the close of the recital, of July—the month of the great national holidays of both the U.S. and France—Larderet encored with Debussy’s Prelude Feu d’artifice (“Fireworks”), delivered with explosive energy." -
28 juin
Master classe
Young Artists Master Class à la Texas Christian University (USA) diffusée sur YouTube : commence à 12 min. -
26 juin
Master classe
Young Artists Master Class à Texas Christian University (USA) diffusée sur YouTube : commence à 4min30s -
- 2018
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December
Critique CD
MusicWeb International (UK)
CD Florent SCHMITT - NAXOS
3 enregistrements sélectionnés pour un focus sur le compositeur par Rob Barnett
"Larderet, who has a reputation for his Ravel, has said of Salomé that it is 'one of the most difficult piano works I have ever performed — on par with Beethoven’s Hammerklavier Sonata and Ravel’s Gaspard de la nuit'. The latter was said to have been in the mix when Schmitt wrote his Ombres. The disc’s notes remind us that Stravinsky, the score’s dedicatee, wrote to Schmitt in 1912 saying of Salomé 'Dear God it’s beautiful! It’s one of the greatest masterpieces in modern music' ". -
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Juillet / août
Critique CD
Clavier Companion Magazine (USA) - N° de juillet / août 2018
SACD-CD ARS Debussy Centenary
"Larderet delivers a personal and well-crafted performance of Images Book I, choosing unusual voicings which produce admirable clarity from start to finish. Further in his performances of the second Book of Préludes, he shares unique interpretative ideas, sculpting every texture and layer as if painting a picture and telling a story with his sound. [...] Where this disc truly shines, howewer, is in Larderet arrangement of the Caplet transcription of Debussy Symphonic Fragments of Le Martyre de saint Sébastien. [...] One this disc, one hears two masters at work : Debussy for harmony and style, and Larderet for flair and appeal." -
May / June
Critique CD
Fanfare Magazine (USA) N°41:5 - mai-juin 2018
SACD-CD ARS Debussy Centenary
Myron Silberstein
" This is a stunningly played recital of two of Debussy’s most familiar cycles and a world premiere of pianist Vincent Larderet’s expansion of André Caplet’s piano reduction of Debussy’s incidental music to Grabriele D’Annunzio’s Le Martyre de saint Sébastien. Reviews in these pages of Larderet’s previous work have been unanimously positive. Peter Burwasser recently (40:4) grouped him with Pollini, Brendel, and Badura-Skoda as 'masterful technicians and intellectual[s].' John Bell Young wrote (39:3) that Larderet 'has blossomed into a great pianist indeed.' And Colin Clarke (35:5) described his playing as 'gripping and multitimbred.' I will add that it is full of vivid colors, subtle rubato, and an equal affinity for the contemplative and the virtuosic aspects of Debussy’s writing." -
11 Mai
Critique CD
La Provence (France)
SACD-CD ARS Debussy Centenary
Jean-Rémi Barland -
Mai
Critique CD
The Record Geijutsu (Japon) - N° de Mai 2018
SACD-CD ARS Debussy Centenary
« On peut dire que c'est une performance magnifique combinant plénitude sonore et poésie raffinée. »